So, what am I doing? Well, in case you didn't catch it on Twitter yesterday, or you weren't aware from the evolution of this blog (aka my recent descent into tumblr), I've finally decided that I want to really make a go at a career as a TV writer (no not a TV blogger - and I love all those of you who do, but it just ain't my cup of tea). This spring I brushed up my sample (it's a half hour comedy pilot about crazy chicks in their 20s - think a lot of my stories from when I first lived out in LA) and sent it around and got help from all the amazing executives I currently work with, and some of my agent friends...
Now let me tell you, getting a writing job in this town is NOT easy. Far from it. To get a staff writer job you need an agent or manager - which I do not have (yet) - and to get a Writers Assistant job (which is often like a baby writer) you either need to have already been a PA on the show or know someone on the show or be related to someone on the show or like sell your soul or give up your firstborn or something... so that didn't happen either (even after I had the president of the studio putting in calls for me. For real. PRESIDENT OF THE STUDIO. THIS IS A MAN WHO REPORTS TO RUPERT MURDOCH. Calling people. Telling them to hire me. And then... crickets... It is HARD you guys).
A few weeks ago I didn't think it was going to happen. I had sort of waved off this staffing season as my first real try and my boss and I had started to brainstorm how we'd try to get me onto a cable or show or at least an agent or manager, both of us thinking that I gave it my best and that was that. But then, finally, FINALLY, I got a bite!
After a great interview with the amazing Co-EPs (um, who used to be on Friday Night Lights by the way... Yes, FNL YOU GUYS! AKA MY FAVORITE SHOW IN THE HISTORY OF SHOWS! LIKE THEY WERE SO CLOSE TO TIM RIGGINS. TIM RIGGINS!) and lots of help and support from some writers and studio executives I was offered the great gig of Writers PA on the new Fox show The Finder, which, for those who don't know, is a loose spinoff of the show Bones! And as of next Monday, I'm starting over in the writers offices on the Fox lot.
So that's pretty damn cool. I'm stoked. The writing staff Hart Hanson has hired (he's the showrunner) is AMAZING (including my friend Aaron Ginsburg, who was so kickass in helping me get this gig/figure out how to make this transition to becoming a full-time TV writer/listen to my regular existential crises) and I'm going to be working with and learning from some of the best writers in this town - I'm super-duper excited and a little bit pee-my-pants nervous. I mean, making the jump from the corporate world to the non-corporate world is SCARY (I think I'm already driving Hart's assistant nuts with my endless questions. And I'm showing a lot of restraint too! I swear!). But hey - I want to be a writer and this is how it goes - no more corporate stability for me!
Seriously though, I'm so excited to just learn the ins and outs of a show from the side of the show (as opposed to the studio side) - and really excited that I get to be around smart, creative, and talented people all day (seriously, did you guys see that Josh Friedman is a consulting producer on the show? I watched his pilot Locke and Key last night and it was so damn good... I mean, I am going to be around these insanely talented scribes everyday!). I can't wait to just soak in the smartness. (I'm just gonna sit back and soak it all in like I do the sun. And I'm really damn good at soaking in the sun. I mean, I have tanorexia, that is how good I am).
But never fear, my loyal readers (seriously, there are a bunch of you who I don't know personally but have been reading my shit for going on five years now, and, that means so much to me) - when I can I'm going to continue to work on my own stuff. I mean shit, if I've gone almost four years of balancing all the outside writing on top of the corporate jobs, then this is going to be so exciting to actually be at a place where "I'm a writer" is the norm. Even better, I've started the process of meeting with managers and have had some agents helping me out, so hopefully by the end of the show's wrap I'll be in a position to really get out there for pilot and staffing seasons. Additionally I'm working on two features (one with my dear friend Sarah, aka Twitter's shinyunicorn), have a great plan for a comedy book, and will continue to post to HelloGiggles, CulturePop and the Huffington Post. Oh and I have a whole bunch of new TV pilots in the can, including a project I am obsessed with that's about badass lady stoners (seriously. Just go with it).
So, please go check out the "backdoor pilot" of The Finder here, and I'll definitely be sure to keep everyone in the loop about when the show premieres and what I am up to and all that jazz! BUT NO SPOILERS. You guys KNOW how I feel about spoilers. I don't like 'em and I don't give 'em!
I'll do a post on my current gig some point later this week. I'll tell you all about the studio I work at and the shows I've been working on (hint: "When you're a spy...") and show pics of the ridiculous wrap gifts we've gotten over the years and the fun stuff like that. It's a little bittersweet to leave but only because I love my boss here SO MUCH (I seriously get teary-eyed thinking about leaving him), but he's so supportive and wants me to go off and do my thing and spread my wings and all that jazz... so off I go!
I think one of my favorite parts about all this is now I get to dress like a schlub. I'm sure at some point I'll miss wearing all my bright dresses, skirts and fancy tops, but oh my god I am going to be able to wear hoodies and sparkly TOMS and no make-up and even shorts... like EVERYDAY. NO MORE HIGH HEELS!
THIS IS GOING TO BE THE BEST EVER!